Murder By Death
Murder By Death is a Louisville, KY quintet with a wry, ominous name. But behind the geography and moniker is a band of meticulous and literary songwriters matched by a specific brand of brooding, anthem-riding balladry and orchestral indie rock.
Murder By Death's path began in the early 2000s as most Midwestern college-town groups do, by playing to small crowds at ratty venues and frenzied house parties. While many of their formative-year scene-mates failed to make it much further than campustown's borders, Murder By Death translated their anonymous beginnings into a 15+ year career founded on a bedrock of five full-length albums, tireless D.I.Y. touring and performing ethics, and, most importantly, a dedicated, cult-like fanbase.
Right now, Tim Barry is detoxing. Not from drugs or alcohol, but from his own music. “When the record’s finally done, and the master is approved, I erase every file that’s been sent to me and I throw out all the CDs with all of the rough mixes. I get rid of everything,” says Barry. And that’s exactly where he’s at, in the middle of cleanse from his own work. But on September 8, he’ll sit down with his new record, High On 95 (Chunksaah Records), one last time. And like everyone else listening to it that day, it’ll be for the first time. “I generally never listen to the record again except one time on the day it comes out,” says Barry. “That’s when I actually hear the record from the perspective of the people who are into it.” And what those people will hear—along with the artist himself—is a record that explores the human condition in classic Tim Barry fashion.